I caught myself doing it again the other day: one more book added to the Amazon wishlist – my ever-growing record of books I have fancied in the last couple of years, not enough to buy them mind you, but enough to record their existence. Books mentioned in articles, in reviews or by friends. Books I have looked up in the guise of research when I was supposed to be working. Books that won the Giller or Booker prizes and I kept meaning to read. All of them filed there, a mishmash of interests and subjects, languishing because once filed, they become forgotten. “Oh, I’ve taken care of that interest,” and off it goes. It’s a little like my “to-read” pile which is a collection of impulsive purchases (most of second-hand) that I only ever get through about half of before giving the rest away. Once I acquired that book I thought I needed, I’m done with it, unless I was really very interested in the first place in which case I read it right away.
And even given this habit, I do read at an expensive rate, draining my bank account and filling my apartment with momentary treasures. I’m not after the books simply for the experience of reading them, but for the aesthetic pleasure of touching them, putting them on the shelf, having them become a part of my life’s decor. But while so many books are a good read, there’s just not that much decorating my small spaces needs, not to mention the fact many of them aren’t *that* exciting to look at (despite the fact publishing has gone through a whole “upscaling” of literary packaging in the last fifteen years or so). Now that Brian and I are merging collections in our new house, I’m even more aware of space limitations. I would, quite frankly, like to save the space for those books which are truly “must-haves” rather than continue on with the clutter of keeping everything.
But still, I add to that Amazon wishlist frequently, going back occasionally to weed out those books I have fallen out of interest with, but mostly just allowing it to bloat along the trail of my ever-changing subject loves. Until last week. For some reason I stopped myself Tuesday, torn between my desire to wishlist or purchase. I knew if I wishlisted the book would just go away, but really for the sake of my living space and pocketbook I just can’t impulsively buy every book that sortof grabs my interest. So why put it on a list to buy later if I shouldn’t do it then either? And….. wait, I could probably get this book I’m about to wishlist from the public library – ending the dilemma entirely!
So right there I decided to do an experiment, and pulled my wishlist off Amazon into a Word file. Of 124 books there were five which immediately came off the list in the “why did I ever add that?” category. From there I pulled twenty-two books off that went into the “must purchase for aesthetic, collector or author admiration reasons” category. And then I plugged the rest into the Vancouver Public Library search engine. Only eleven of the titles failed to show up, while eighty-six of the books on my list were listed and available at one of the lower mainland’s many branches. If not available at my closest branch, I could order it to the one nearest me. And not only that, the VPL personal library page has something akin to a wishlist (it purges itself every ninety days) for those so inclined.
It’s really quite remarkable, this library system we’ve got going in our society, a last remaining throwback to pre-commerce days which remains a vibrant and viable institution. Particularly in Vancouver where a healthy attitude towards the library network exists. It surprised me that so many of my titles appeared in the VPL catalogue, some only recently published, some a little bit obscure (I’ve replicated the list below the cut). It surprised me Wednesday when I went down to the main branch to pick up a few of them, how crowded the library on a regular weekday afternoon is, how many people use it. Those things surprised me only because I have gotten so out of touch with libraries in the past decade as the ability to search and purchase books online has risen (along with my disposable income), it seems much easier to have something delivered to home than make an extra trip round to get *free* books instead. Going through this exercise was a bit of an object lesson in just how out of touch I’ve gotten, how much money I throw away every month on that which is available for free.
And so I deleted my wishlist from Amazon right then, making myself a promise that if I took something from the library that I really wanted to own after reading it, I was allowed to make the purchase. And of the twenty-two “must-haves” I will give myself leave to purchase one of those books for every ten I take out of the library. It’s not like I’m never going to purchase a book again (I’ve got a serious fetish for rare and interesting volumes), but I’ve got a new house on the go, and a new commitment to living debt-free (aside from the mortgage). It seems one very easy area to cut a couple hundred dollars per month from expenditures is books. And with libraries all over? Yeah. It’s a no-brainer. I can’t believe I hadn’t thought of it before.
Someone at work just told me the reason for the colder-than-average BC winters the last couple of years is because we are at the lowest point of the eleven-year sunspot cycle, and apparently this is the worst it’s going to get. That would be one theory of why it’s snowing in Vancouver on April 1st, though the sunspot-weather connection is circumstantial at best, I’ll accept anything at this point which tells me the weather is going to get better later in 2009. Cold winters I don’t mind, but spring and summer? Let’s get on the milder temperatures!
Brian and I have our last meeting with the notary today, to finalize the paperwork for our new house. Ten sleeps until moving day and I’m knee-deep in boxes and feeling a bit scattered as a result. Tear apart my house, and my whole mental condition deteriorates along with it. So my writing becomes tentative, my schedules get conflicted, and my laundry goes undone. Part of the moving malaise, contrasted with the flip side after moving day which sends me into hyper-organize and clean mode and lasts for several months. Still a little ways away, I would be feeling much more aimless if I didn’t have a big work deadline this Friday to give my days a little more meaning.
And I think it’s no coincidence that my bit work deadline and my move are in the same two week period – not to mention the end to my collective bargaining role coming only a couple months before that. The last two years of my life have involved a lot of flux in all areas – new union roles, new work role, new relationship. It’s been pretty heavy duty on the change front in fact, and I’m looking forward to a summer of just catching my breath before seeing where all the new experience and lessons take me next. I don’t have another clear goal in front of me besides making a home, writing a book, and remaining open to the political and career opportunities that may come up.
At the moment though, I do want to get on with the move, get on with the project launch and get our upcoming union convention over with – it seems to me that going through these doors are the entry into the next life period – and I am curious about what that looks like.
When I was a much younger writer, I hated editing my work. From the age of five onwards to about sixteen I didn’t even see the need for it, so unrefined was my artistic eye, and even when shown the utility of it as seventeen I still didn’t really believe my work *needed* editing all that much. Sure, the odd tweak here and there, but you want me to rip the whole thing apart and start from a single good line? You think this poem should actually be a short story? Too much work! I can’t muster the creative energy to re-do the whole piece! (insert hand-wringing artistic wankery here)… And over my early twenties, rather than learn this patient art, my freewriting devolved into inanity and I ceased to produce at all. Because deep down I still believed that you either had innate talent or you didn’t, and no amount of reworking was going to make the difference fundamentally.
I suppose that deep down inside I was suffering from a) the desire to be brilliant, and b) laziness. Which really characterized my years in university turning out papers the night before they were due and giving them little more than a spell and grammar edit before handing them in. Talk about failing to get the most out of my university years – I left school with only a few more writing tools than I had entered with.
Looking at it now (nine in the morning and I’m supposed to be working) I suppose there were two major influences on my attitude towards editing. Working in professional communications is an obvious one – a decade of writing and editing in a corporate environment will teach you a thing or two about working over your words – even when work itself is dry and uninspiring, many of the goals are the same. You want people to understand your point, and not while tripping over the language to do so. That’s true of poetry or news releases, though in the former “understanding” may be more felt sense than cerebral, no reader wants to come away feeling stupid. But less obvious because it involves a different medium, seven years of playing in a band also twigged me to the reality of creative process in a total way. Because songwriting was a collaborative process for the flying folk, every song we wrote was workshopped over several sessions, words often taken out or added to songs, riffs played then reversed to see what the effect might be, bridges written on the fly to unify verses that otherwise were too straight. Working and re-working was just something that needed to be done in order to unify the creative ideas and ideals of seven very different people. A pleasure I only realize now, the gift of working with such talented people over a long period of time, which taught me that even the most accomplished artists are not simply brilliant, but dedicated to re-working their material, and editing their words.
In the last few months I have felt a renewal in my artistic fortunes, but instead of a band this time it’s a women’s writing circle who meet once a month for snacks and lit crit. Although I’ve steadily increased my writing output in the last couple of years, I have found my work a lot more focused lately, and that feedback from the group is helping me to really discover a joy in editing I haven’t had before. The structure helps, for sure, but I think more than that is the work I am involved in at the moment. Family stories and poems going back a hundred years, fictionalized, embellished, curated in my imagination and spilled back out onto the page. I realized the other day that every time I go back to a particular piece I am rewriting, my mind immediately steps into the story. No longer on the bed with the laptop, I am in the landscape i am writing about within seconds of turning my focus there. I am standing just outside each frame, and I never see what I expect to, each change of phrase changes my view. Transported would be the correct word for it. Involved would be another. Editing allows me back inside my work, whereas first draft writing is hammered out too painfully to give me much reflection time. And even more than the pleasure of re-entering those landscapes is the recognition that re-working is bringing me closer to the brilliance I had (falsely) believed innate in my naivety. Not that I believe my work to be brilliant, but I do think I am turning out the best work of my life to date. And that has a lot to do with the feedback and editing process, the writer’s group, my willingness to tear things apart from the beginning and start over with a handful of good lines. Which is exciting, because not only am I writing, but learning to live alongside the characters and scenes put to the page. Richer material, and more enjoyment in working it.
I’ve been feeling a bit bereft of blogposts lately. Not because I haven’t been thinking about a lot of things, responding internally to recent events, or processing my life as I always do – but because it’s seemed like too much is going on internally to attempt external synthesis in nice, concise postings about this or that topic. I’ve got moving on my mind, and beyond that I’ve been grappling with the hyper-real edge that Vancouver seems to have taken on in the last couple of months – am at once putting deeper roots into the city while at the same time wondering how tenable this urban environment is. Is Vancouver just going through a strange phase? Or is this the new permanent state in a downward spiraling economy both above and underground?
The gang violence, of course is part of what I am referring to – in the past I’ve largely ignored the rumblings from margins as the deaths have racked up – but seventeen deaths (and forty shootings) in three months is hard to tune out. Especially when they are happening in every quadrant of the city, taking their brazen place in the broad daylight of suburban streets and mall parking lots. It’s not that I feel unsafe because of them – these are very targeted killings endangering those who are involved in an underworld from which I am far removed. But they expose something real that I do fear – which is the sense that an increasing number of (young) people in my society have come to celebrate violence and the culture of it in such a total way. A quest for being tough or cool that disregards the preciousness of actual living and breathing in what is still a very privileged corner of the world – these mainly are not young men from severely impoverished communities – but from the middle class world of the suburbs and mall districts. Not that coming from these places wouldn’t be enough to drive anyone crazy – but because the models of subversion are so enmeshed in the culture from which they come – they mimic the most deadly aspects of civilization rather than seeking to overcome them. Machoism, competition, money-grubbing, wheeling and dealing. It’s no mystery where these values being emulated come from, but it is distressing to see their logical endpoint in the deaths of people who might otherwise have outgrown these behaviours to rise to their actual potential. Although there is also a more cynical side of me which figures that at least those who are prone to such ridiculous (and unnecessary) acts of “self-preservation” (which of course results in the opposite) are wiping themselves out. Not a very nice thing to say, but really one does have to wonder if there is any other way for this chapter of Vancouver’s gang history to end.
I think the whole thing has made people in the city pretty angry and edgy of late, not to mention the Vancouver police who last week shot and killed an unarmed homeless man because he wouldn’t stop walking when they shouted at him. Yes, I know he had an exacto knife, but I don’t really consider that “armed” (in the same way Dziekanski wasn’t armed because he picked up a stapler in a threatening manner), nor does any sane person in the city. Particularly disturbing is the report from someone who recorded the incident on his cel phone and was accosted by one of the officers who took the phone and erased the video before they cleared the scene – an indication that at least one of those constables present knew what was going down wouldn’t look too good if the whole story came out a la the Braidwood Inquiry. It’s obviously not the first time the VPD has killed an unarmed homeless or mentally ill person in this city – in fact it happens surprisingly often – but I wonder too if in a climate of urban warfare we have more of this to look forward to. That the public’s desire to see the police be “tough on crime” just gives the force greater license to behave badly. It’s all a little too “LA” for me – and in my whole life on the west coast I imagined this city would descend into American style crime and enforcement in the way it has.
But what really tweaks me about it is the fashion in which the violence and ugliness has been juxtaposed with the false clown mask of the Olympics, urging all citizens to join in the fun and get ready to welcome the world. As though a giant carnival is all that’s needed to restore civic pride, never mind the fact it’s draining the coffers of much needed program and development budgets for real community and youth programs. Sortof a hyper-real fun park against the backdrop of death and economic destruction motif that makes me wish I could afford to go away for the first three months of 2010 and miss it in all its immediacy. But really, that wouldn’t do it because they legacy is ours for decades to come in the form of misused public space and massive city debts. And at root I suspect that the real problem for Vancouver is that we are used to being just a city – and somehow we’ve turned the corner in the last few years and become a “big city” in the worst sense, not having figured out the underground vibrancy and urban colour that can also be a part of what defines it. We’ve got the gang wars, the corrupt cops, the blown city budgets, the late-night bar openings – but we haven’t seen the alternative arts scene, the punk rock booze cans, the community resistance that such economy of scale should bring. And so we’re empty at the moment, depressed, waiting for the prozac that is the Olympic period in February 2010 – knowing it’s not enough, that the crash will only come harder once we’re on the other side of it. How to extricate from it?
For now I’m moving further into my east van neighbourhood, putting down roots anew, focusing on my small community and looking for a community garden close by. There’s got to be some advantages to a big city – largely found in the interesting people and artists that surround us. Once I’ve got the Olympic ranting out of my system, I’m sure I’ll be fine – even if the city suffers long into the future for its madness.
Another Monday, another day in the cube. Though I’m not complaining much here – if I wasn’t at work I’d be home among boxes my half-packed apartment. Not to mention the looming stack of paper which needs sorting. At least I’m down to the “important” paper, but still there is a lot of it to be sifted for the gems which must be filed while the rest gets shredded.
And I’m trying to be ruthless this time – since I don’t plan to move again for several years (decades hopefully) – it seems to be the ripe time to get rid of the belongings I have carted around “just because”. My wedding dress from my failed marriage for example. Stereo speakers I ceased using five years ago. Craft supplies that haven’t seen the light of day since I moved back from the Sunshine Coast. Books that I am never going to read. Floor cushions that have crammed at the back of my storage closet. Etcetera, etcetera – I’m sure you all know about it because we are part of a culture with a tendency to hoard and consume, a civilization built on the detrius of who we used to be when we bought this or that item. Purchases being a part of our identity, it is difficult to let go of the past in the form of a piece of clothing or picture-decoration we once loved, but it is impossible to hold onto it all as well.
For the most part, I have not overcluttered my life with things, and the only collection I own is the wall of books, now safely packed away in 20 or so boxes awaiting their move to the new home – but even still there is a lot of life re-examining that goes on with each and every decision in a move. Does this go? Does it not? What does it say about me that I don’t want to do xxx anymore? Am I torching my past if I let go of yyy? What was I thinking when I did or bought this thing? Am I an overconsumer even though I try not to be? And then of course the guilt sets in. All the paper, all the things going into the landfill, all the broken electronics that will end up getting shipped to china for recycling. It’s just too much for me.
This is the twelfth time I’ve moved in eighteen years, and as I was saying to Brian last night, it never gets easier or more fun or faster – but as I get older it provokes a lot more soul-searching. Particularly in the past move where I have moved with no reason other than my own individual desire to move – then you really start to grill yourself on what’s going on and whether you are doing the right thing. At least this time I know why I am moving and I know that it’s the right thing. But it still doesn’t stop my existential consumer angst, my growing older why do I own so much stuff ennui, my change of address one more fucking time crisis. Nope. Moving sucks for all these reasons.
However.
The flip side is a clean start, a new home, an organized bookshelf, nice clean cupboards that are well appointed and set out right, a new bedspread maybe, a new way for my furniture to occupy space, a new yard to work in, and a different view on the neighbourhood and north shore mountains. Not to mention a life joined with my partner’s, and a home we own together. And so, as with every move it’s important to keep that perspective in the midst of the ennui and angst, the crisis of remembering one more phone number. And it’s only 19 sleeps until I stop asking myself those difficult questions, and turn my attention instead to the business of resetting my life one more time.
I am glad to be rid of the wedding dress finally, the unused craft supplies are next to go.